Maybe I’m a case apart, but I have become both a consumer of iTunes Apps and have recently moved between two countries, the Netherlands and Luxembourg. Until recently, my account used for consuming iTunes content was Dutch. Now, I decided to switch the payment to a Luxembourg credit card, which required me to change the address in Itunes to Luxembourg as well.

And guess what, when you purchase an app in the Netherlands and then change the residence to Luxembourg, all or most of your content becomes invalid and gets deleted from the device you purchased it for. It doesn’t matter if the app was free or not, it’s just gone, even though your purchase history clearly states that you did pay for that app!

I have written to Apple to report this problem, but in the mean time I worry every time that the apps, in which I also produce content, may get deleted the next time I sync my content.

I’ve previously written about Media being the most “unflat” industry on our planet, but I really wasn’t expecting this to be the case for Software, which I thought was produced by hip, non-conformist guys like you and me, that sell to everyone over the internet and don’t care about national borders.

Can someone, an app developer perhaps, explain to me the reason for having a different license for different countries? I understand currency and language differences, but many apps are just in English and the whole of the EU uses the Euro?

If alternatively, you happen to know of a solution to keeping your apps while changing residence, please let me know!

All that aside, have a great New Year, everyone!

Vincent

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I spent quite a lot of time evaluating smart-phones this last week, including having hands-on time with the Nokia E71, the Blackberry 8900, the iPhone & iPod Touch, with a firm eye on their capabilities as a mobile computer, more so than a mobile phone or a mobile entertainment device.

My conclusion: the iPhone (or respectively iPod Touch) are interesting insofar as interfaces are concerned that either require mouse-like interaction or that require no interaction whatsoever, e.g. listening to music. And it’s pretty consistent with my first post about the iTunes app store, where I wrote that developers should focus on developing games and other visual applications, rather than on typing-intensive apps.

Now I may be perfectly wrong about this and if you’re a long-time iPhone / iPod Touch user and are able to type long messages without a problem, please drop a comment.

There’s no denying that the Apple gadget (whichever version) is h.o.t. But I think it’s a matter of the software-features being over-hyped and people forgetting that the hardware isn’t mature yet.

• First of all: touch-keyboards, really? It just doesn’t seem precise enough for accurate typing.
• Second: 400 dollars/euros for 32GB of space seems way over-priced, more so because it’s also a video-device and increased video-quality also comes with (much) increased file-sizes. Add to this that streaming video from your Mac doesn’t seem possible, unless you employ one hack or the other.
• Thirdly, I think that the web2.0 hype of developing application after application after application has strongly spilled over to the iTunes appstore, which is one of the few digital venues to have some kind of business model, but it totally overshadows any hardware deficiencies the iPod and iPhone may have (and I mean that only in terms of typing and storage, as I think apps for gaming and other entertainment work perfectly fine).

My gut tells me that iPods are mainly for entertainment and not productivity and even so that there’s a better deal to be had waiting for at least another generation beyond this.

Once again, I’m very open to you (trying to) convincing me that I’m am completely and utterly wrong.

Vincent

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Continuing our short(!) screenshot-series on geeky innovations… Thank you, Skitch, for making it so easy!

I was really missing a collection of my Loved Tracks in Last.fm and it looks like the new version delivered. What we need next is a way for ratings in iTunes (and more specifically my iPod) to automatically register as “loved” in Last.fm, and for that to create a TheFilter-like service of creating custom playlists that I like.

*Sigh* why does interoperability of web-to-real-world-to-web have to be so complicated?

Vincent

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This may qualify as the most ridiculous post, I’ve ever written. But it’s a Sunday. And I felt it simply had to be said. Headphones are, to me, a vital part of our society and, at the same time, they are so prone to failure, that it may very well be the biggest pain (read: need for improvement) I’ve ever felt during my life.

I’ve used headphones since I was 14 maybe, back when my first Discman was made out of metal, contained four batteries, and weighed about the same as a satelite-phone (if those still exist). I’m sure if I turned it on today, it would still work. Headphones, however, are a completely different matter.

Headphones have evolved and devolved in my life. I started with the sucker-buys: super-multi-tripple-bass-boosting Sonys. But no matter how many I bought (all earphones), they all broke after a few months, at the latest. That was, on average, a good €20 thrown away every time.

Finally, I got fed up and plunged down to €3 headphones, the kind that lie next to the chewing-gum in your super(tech)market. I figured, why waste money, and instead buy in bulk and replace every few weeks. It worked pretty well for a while… of course the sound is nothing to write home about.

Finally, when I got my first & only iPod, three years ago or so, I discovered the Sennheiser PX200’s.

The upside:

• Not too expensive; paid €60 on the first purchase, and €25 on the second. I generally don’t think people should spend more than that for what is essentially a perishable good.
• Came in white—matching the iPod.
• STURDY – that’s right. Except for a few design-flaws, these are the most sturdy headphones I’ve ever had, the first pair lasting nearly two years; the second about a year.
• Sound-insulating: that way I enjoy the music for myself, and don’t bother anyone else.
• Stay on when I jog—important, as I jog 4 times a week.
• Great sound.
• Very portable—fold into the size of a pair of sunglasses.

The downside:

• A few design-flaws related to the wiring. If you close it a certain way, it actually cuts into the wiring. Also I just broke my second pair, because the wiring at the base, close to the plug, somehow broke… very annoyed with that, and wires in general.
• Insulates you from the rest of the world. Don’t try biking on a busy street with this sucker.
• Insulates you by making you look like a freak. This picture from 2 years ago in Barcelona says enough (well, actually the gigantic sunglasses don’t help either). Wearing these kinds of headphones really shouts out that you don’t want to talk to someone.

After breaking the second pair, I’m saying good bye to perhaps all headphones. They brought me much wisdom—80% of my iPod consumption is from podcasts with interesting people and on interesting subjects. They made me high—running with them is not only super-comfortable, but the sound is excellent, and helps getting your endorphins pumping. But they also made me anti-social, where I should be saying hello to my neighbours, I put on my headphones when I leave the house, forgetting everything around me.

Maybe, I’ll get another pair, I don’t know. Maybe when the next episode of ‘Stanford’s entrepreneurial thought leaders’ or ‘iInnovate’ comes out and I just have to learn something new. Maybe… and maybe I have to go cold turkey, smell the roses, listen to the wind, smile at the nice people around me, and reserve my sound-consumption for a club or a stereo. I’m sad now; an era is perhaps over.

But maybe, you have discovered the ultimate, never-breaking, super-multi-bassboosting headphones yourself? In which case, SHOUT IT OUT in the comments, as I want in.

Vincent

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